Of Divine Teaching

By Ryan Bresingham

Rapture

“And everyone who calls on the name of the Lord will be saved.”

                                Acts 2:21

Group X, No. 1, Altarpiece (1915) by Hilma af KlintHilma af Klint Foundation, Stockholm

Group X, No. 1, Altarpiece (1915) by Hilma af Klint

Hilma af Klint Foundation, Stockholm

The boy looked down at his shoes while the host

was placed in the palm of his hand, barely uttering

Amen before slipping the unleavened bread

into his trouser pocket on his way back to the pew.

He silently prayed for the liturgy to close, a ceremony

he grew to despise after the God they worshipped

let a drunk driver shatter his sister’s spine

one late October night three years ago. 

“God works in mysterious ways,” his mother

would say as she fought back tears. He locked

eyes with the priest at the altar, who blessed

the congregation in the name of The Father,

The Son, and The Holy Spirit. The choir belted out

songs of praise, raising their hands to the heavens.

The boy stared up at the ceiling, a divine mosaic

of two hands reaching out, almost touching,

and for just a moment, he could’ve sworn one hand

moved, peeling off the ceiling like paint

and reaching out to him, calling his name.

Yet he bowed his head, refusing the offer,

denying the existence of a higher being

he was taught to foolishly believe in at school,

a being who’d allow such evil to pervade his creation. 

“Go in peace,” the priest said,

and trumpets blared, and the ceiling parted

like the Red Sea, opening a path to the sky,

with seraphim and cherubim pouring out, lifting

believers high into the clouds. The boy watched

as the souls of his mother and father and brother,

pure and holy, soared towards salvation,

the hand of God welcoming them through the gates,

a shepherd herding His sheep. He gazed with awe,

reaching into his pocket, but it was now empty,

and so he cried out, pleading for absolution

as the gates closed, the glory and honor

now beyond reach, leaving him behind

with only an echo of her voice in the distance.


Unclean Lips

“And I said: ‘Woe is me! For I am lost; for I am a man of unclean lips, and I dwell in the midst of a people of unclean lips.’”

Isaiah 6:5

My father took my wrists

and dragged me to the bathroom

after the name Jesus Christ poured out

from my lips like poison at the dinner table

on the first day of summer, the prayer

words jumbled like scattered puzzle pieces

in my head. He stared at my reflection

in the mirror, waiting for me to pick up

the bar of soap and stick it in my mouth

like a wad of chewing gum.

I looked at him, my eyes pleading

for mercy, but he just huffed,

muttered “for fuck’s sake,”

and shoved the white bar into my mouth,

the same way his father did to him

when he was my age. A punishment

for taking the Lord’s name in vain,

for unclean lips wreak an unclean heart.


My tongue throbbed from its touch,

as if my taste buds were now withering

from the abuse, my hands clinging

to the sink, my sacrificial altar,

a torturous atonement, a wicked deliverance.

Seven minutes passed before he took it out,

one minute for each vice he thought infested

my morality like fleas – sloth and greed

and lust and gluttony and wrath

and envy and pride, all washed away

by soap bubbles bursting on my tongue

like live coals sparking in the deep pit,

absolved, cleansed, spiritually restored.


The taste still burns like hell.


bresingham headshot.jpeg

Ryan Bresingham is a writer and aspiring screenwriter based in Los Angeles currently studying Creative Writing and Film Studies at Pepperdine University. He is a strong advocate for the Oxford comma, and he finds immense beauty in the power of storytelling.

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